Original Title: 2046
Directed by: Wong Kar-wai Written by: Wong Kar-wai Cinematography: Christopher Doyle, Kwan Pun-leung, Lai Yiu-fai Music by: Shigeru Umebayashi Country: Hong Kong Genres: Drama, Romance, Sci-Fi Duration: 129 min Release Dates: 20 May 2004 (Cannes), 29 Sept. 2004 (Hong Kong) Filming Dates: November 2001 – March 2003 Filming Locations: China (Shanghai, Macau), Thailand Synopsis: |
Zhang Ziyi Bai Ling |
Faye Wong Wang Jing-wen |
Production stills
Captures
Trailers
Making-of
• It is a loose sequel to the 1991 Hong Kong film Days of Being Wild and the 2000 Hong Kong film In the Mood for Love.
• While 2046 was being filmed, a photographer from Sudden Weekly, a Hong Kong tabloid, bribed his way onto the set. After his pictures of the interior of the Oriental Hotel were published, ‘Wong Kar Wai’ ordered the set to be rebuilt. The photographer was subsequently sentenced to three months’ jail for corruption.
• The title of the film refers to the last year before the 50-year period the Chinese Government promised to let Hong Kong remain as it is. Hong Kong was returned to China in 1997.
• The print for Cannes arrived three hours before the delayed premier, escorted by police. It is the first film in Cannes’ history to arrive so late that re-schedulings were necessary.
• It took four years to complete the film. During that time, production was shut down during the SARS epidemic in March 2003.
• Originally conceived as a story of a hit man in Bangkok (hence the casting of Thai actor Bird Thongchai McIntyre). The hit man was to be played by Japanese superstar Takuya Kimura, and the events to be played out in a hotel in room 2046.
• In one of the original versions, Tony Leung was to play a futuristic postman.
• The camera points to the left side of Faye Wong’s face when she cries. She has problems crying with her right eye, so Wong Kar-Wai shot her crying scenes on the left side of her face. However, there is one scene where the camera films the right side of her face purposely.
• In one of the original versions, Tony Leung was to play a futuristic postman.
• The director declined the invitation to screen the film in the New York Film Festival.
• Was supposed to be the closing film of the Edinburgh Film Festival.
• Each character speaks their own languages. Mr. Chow speaks Cantonese, Bai Ling speaks Mandarin, and Tak speaks Japanese even when talking to each other. Even so, they seem to understand each other perfectly. —IMDb
11th Hong Kong Film Critics Society Awards |
24th Hong Kong Film Awards |
IndieWIRE Foreign Film Critics’ Awards |
10th Love HK Film Awards |
Nominations: 41st Golden Horse Film Festival, 5th China Film Media Awards, IndieWIRE Foreign Film Critics’ Awards (3rd), 71st New York Film Critics Society Awards (3rd), 12th Chlotrudis Awards (Supporting), 3rd International Cinephile Society Awards (Supporting, 2nd), 4th International Online Cinema Awards (Supporting), 40th National Society of Film Critics Awards (Supporting, 2nd), Village Voice Awards (Supporting, 2nd)
Ceremony | Category | Recipient | Result |
2004 Cannes Film Festival | Golden Palm | Wong Kar Wai | Nominated |
2004 Valladolid Film Festival | Golden Spike | Wong Kar Wai | Nominated |
FIPRESCI Prize | Wong Kar Wai | Won | |
Best Cinematography | Christopher Doyle | Won | |
2004 Golden Horse Film Festival | Best Film | Nominated | |
Best Actor | Tony Leung | Nominated | |
Best Actres | Zhang Ziyi | Nominated | |
Best Cinematography | Christopher Doyle | Nominated | |
Best Art Direction | William Chang | Won | |
Best Makeup and Costume Design | William Chang | Nominated | |
Best Original Score | Shigeru Umebayashi | Won | |
Best Sound Effects | Du Che-Tu | Nominated | |
2004 European Film Awards | Screen International Award | Wong Kar Wai | Won |
2005 David di Donatello Awards | Best Foreign Film | Wong Kar Wai | Nominated |
2005 Sant Jordi Awards | Best Foreign Film | Wong Kar Wai | Won |
2005 Cinema Writers Circle Awards | Best Foreign Film | – | Nominated |
2005 Directors Guild of Great Britain | Best Foreign Director | Wong Kar Wai | Nominated |
2005 Golden Bauhinia Awards | Best Picture | – | Nominated |
Best Director | Wong Kar Wai | Nominated | |
Best Screenplay | Wong Kar Wai | Nominated | |
Best Actor | Tony Leung | Won | |
Best Cinematography | Christopher Doyle | Won | |
2005 Bangkok Film Festival | World Achievement Award | Wong Kar Wai | Won |
2005 Chinese Media Film Awards | Best Actor | Tony Leung | Nominated |
Best Actress | Zhang Ziyi | Nominated | |
Best Actress | Faye Wong | Nominated | |
2005 Hong Kong Film Critics Society | Best Actor | Tony Leung | Won |
Best Actress | Zhang Ziyi | Won | |
Special Award | Yuen Wo Ping | Won | |
Film of Merit | – | Won | |
2005 Hong Kong Film Awards | Best Picture | – | Nominated |
Best Director | Wong Kar Wai | Nominated | |
Best Screenplay | Wong Kar Wai | Nominated | |
Best Actor | Tony Leung | Won | |
Best Actress | Zhang Ziyi | Won | |
Best Cinematography | Christopher Doyle | Won | |
Best Art Direction | William Chang | Won | |
Best Editing | William Chang | Nominated | |
Best Makeup & Costume Design | William Chang | Won | |
Best Original Score | Christopher Doyle | Won | |
Best Sound Effects | Du Che-Tu | Nominated | |
Best Visual Effects | Guillaume Raffi | Nominated | |
2005 Los Angeles Film Critics Association | Best Foreign Film | Wong Kar Wai | Won (2nd) |
Best Cinematography | Christopher Doyle | Won (2nd) | |
Best Production Design | William Chang | Won | |
2005 Mainichi Film Concours | Best Foreign Film | Wong Kar Wai | Won |
2005 National Board of Review | Top Foreign Films | – | Won |
2005 New York Film Critics Circle | Best Foreign Film | – | Won |
Best Actress | Zhang Ziyi | Won (3rd) | |
Best Cinematographer | Christopher Doyle | Won | |
2005 Satellite Awards | Outstanding Foreign Film | – | Nominated |
Oustanding Cinematography | Christopher Doyle | Nominated | |
2006 National Society of Film Critics Awards | Best Foreign Film | – | Won (2nd) |
Best Film | – | Won (3rd) | |
Best Director | Wong Kar Wai | Won (2nd) | |
Best Supporting Actress | Zhang Ziyi | Won (2nd) | |
Best Cinematography | Christopher Doyle | Won | |
2006 Broadcast Film Critics Association | Best Foreign Film | – | Nominated |
2006 Chicago Film Critics Awards | Best Foreign Film | – | Nominated |
2006 Online Film Critics Awards | Best Foreign Film | – | Nominated |
Best Cinematography | Christopher Doyle | Nominated | |
2006 Robert Festival | Best Non-American Film | Wong Kar Wai | Nominated |
2006 Chlotrudis Awards | Best Movie | – | Nominated |
Best Director | Wong Kar Wai | Nominated | |
Best Actress | Zhang Ziyi | Nominated | |
Best Visual Design | – | Won | |
2006 Golden Trailer Awards | Best Foreign Dramatic Trailer | Grossmyth Company | Nominated |
2006 Argentinean Film Critics Association | Best Foreign Film | Wong Kar Wai | Nominated |
2007 Cinema Brazil Grand Prize | Best Foreign Film | – | Nominated |